Before the Kalyug begins, Lord Krishna hands over an anklet that holds the answer to all of world’s miseries. Years later a doctor finds himself in the thick of things when the pursuit for the anklet carries on. A doctor with a curious mind, Karthikeya, aka Karthik, believes in pursuing the truth. The quest leads Karthik to discover the power of the ancient Indian belief system and the essence of Krishna.
Chandoo Mondeti
Director
Nikhil Siddhartha
Karthikeya
Anupama Parameswaran
Mugdha
Srinivasa Reddy
Sadananda
Harsha Chemudu
Suleman
Adithya Menon
Dr. Shantanu Mukherjee
Praveen
Ravi
Satya
Satya
Tulasi
Karthikeya's Mother
K.S. Sridhar
Prof. Ranganatha rao
Anupam Kher
Dr. Dhanvanthri Vedpathak
Meena Vasu
Shanti, Karthikeya's sister-in-law
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.