Two friends, eighteen-year-olds Kaśka and Magda, are graduating from a film high school. Between having fun and enjoying life, they still have to find time to prepare for the final exam that awaits them. They are tasked with preparing a film etude. When the teacher suggests a topic to them, they rebel at first. They wanted to make a film about socially important issues, about contemporary problems, they wanted to change the world, and here they get the story of some village girl from 100 years ago, who let herself be killed in a senseless way. Willing not to, they set off to Zabawa, where their heroine Karolina Kózkówna lived and died.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Intergenerational friendships and community can be so powerful, and this was a great example.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
