“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

During a common day, in Torreón Coahuila, six extremely different people found a nexus Moved by the destiny. Leonardo, Selina, Daniel, Agustí, Artemio and El Morales, all of them of very different ages an occupations, will be united by the end of the day finding something in common: their death. Because of accidents and circumstances of life, this six characters will die establishing a nexus that will keep them together after their deaths. The lesson that they will learn is a very basic law of life; every action brings a consequence, whatever you do in this world will be payed sooner or later, which shows the principles of the Karma.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
The trainwreck is hot but tame.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.