Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A young man who broke up with his lover at sea meets a mysterious woman (Kaori Aso) who has collapsed on the beach. She then leads him to her mansion. The man is so lewd that he cannot leave the mansion and becomes absorbed in the pleasure...
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
A family comedy that combines fantasy and normal school life.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.