Having devoted his life to science, Kanysh Satpayev dreamed of the well-being of the Motherland and did everything to develop it, as Kanysh himself became an unwitting witness to the tragedies that brought the Kazakh people to the brink of extinction. And although the magnitude and scale of the outstanding scientist, geologist and patriot Kanysh is obvious, not everyone knows his path, in which the grief of the people and personal tragedy are intertwined, an exhausting struggle with skepticism and distrust on the part of the authorities. The film tells about the initial path of the young Kanysh Satpayev during the great tragedy in the life of the Kazakh people — the years of famine, jute and repression.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
