Supergirl – the Bravery and Ferocity of Dark Feminine Energy
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."

A TV channel’s crew goes to a deserted beachside bungalow to stage a horror show but the place is actually haunted and the ghost(s) in the place possess the director and the cameraman in the team.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
A science fiction movie brings a strong diverse cast and adventure in outer space.