The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

Slastan, a Karadjistan man, is willing to blow himself up aboard a Moscow plane bound for Madrid, but his plan is complicated when, due to a snowstorm, the flight is delayed. Staying in a hotel, the terrorist will have to live with the 332 people who he will kill until the storm ceases, which prevents him from continuing his mission. Slastan knows, speaks and relates to his future victims and begins to wonder if suicide and ending the lives of all these innocent people is really right.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.