Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

This artist profile of Kamala Ibrahim Ishag was commissioned by the Serpentine Galleries to accompany an exhibition titled "Kamala Ibrahim Ishag: States of Oneness," on display at the Serpentine South Gallery on October 7, 2022-January 29, 2023 to celebrate the pioneering Sudanese artist Kamala Ibrahim Ishag, whose work intertwines the earthly and the spiritual through an understanding of our connections with the natural world. With a career spanning over sixty years, Kamala Ibrahim Ishag (b.1939) is a defining figure of modern and contemporary art. Her widely recognised paintings, where often human and plant forms intertwine, use a distinctive palette rooted in the colours of the sun, sand and sky and contemplate the cyclical flow of life and the intangible aspects of women’s lives in Sudan.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
"Peter Pan & Wendy" is a diverse fantasy brought to life and an adventure for all ages.