The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

Baskaran left India for Dubai with high hopes but came back in a coffin. His widow Sundari didn't believe he committed suicide, so the relatives recruit cousin and filmmaker Jayakrisahnan Subramanian to uncover, what really happened. On his research, Jayakrishnan discovers that his cousin's fate symbolizes the exploited dreams of thousands others and the consequences they have to face when they wake up.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.