
Raghava is a fun-loving youngster who enjoys playing cricket with his friends. But at night he is afraid of ghosts and is always confined to his home under the care of his mother (Umashri). His brother (Achyuth Rao), sister-in-law (Shruthi) and their children live together in the same house. When Raghava and his friends go in search of another ground to play cricket, they find an abandoned field, which, it turns out, is haunted. At home, his mother and sister-in-law witness some strange happenings. With the help of a temple priest, they confirm the presence of a ghostly spirit haunting their home. Raghava begins to act funny and shows effeminate behaviour which is when the presence of the ghost is identified. The film goes on to unravel the mystery of the ghostly Kalpana and her relationship with Raghava.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Dora is the superhero we didn't know we needed.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.