Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Krishna has returned to his village, Kagbeni from Malaysia, and is reminiscing with his old friend Ramesh. They come upon an old hermit, who presents them with a cursed monkey's paw that has the power both to grant wishes, and twist their meaning to cause tragedies.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.