A guy's family wants him to get married but it is harder than he thought. On one hand, his grandmother wants him to get married to a girl of her choice, and on the other, his mother is eager to select a girl for him. On top of that, he is already in love with a girl. His dilemma of being stuck between three women forms the crux of the story.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
