Space Force: Netflix’s Series is Just as Unnecessary as the Real Thing
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force

Just Like Snakes is a reinterpretation of the popular Chinese folklore The Legend of the White Snake. In the traditional story, a white snake transforms into a woman and falls in love with a man. When a monk discovers their transgressive romance, he punishes the snake by imprisoning her in a pagoda. This tale has been celebrated across Asia for centuries, evolving to reflect the changing morals of each era. Commissioned by CHAT (Centre for Heritage, Arts and Textile) in Hong Kong, Just Like Snakes responds to the city’s first Chinese musical based on the same legend, created by the iconic Chinese diva Rebecca Pan. Through music and dance, the film questions the limitations of story archetypes. Revisiting the folklore as a metaphor for contemporary society, it proposes: now that the pagoda—representing restrictive societal constructs—has collapsed, how might we observe and adapt to a shift in paradigms that calls for new orders in our world today?
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
For football fans, this sports movie will show viewers the bonding between father and son as the son prepares for his big game.