
Just For the Record locates San Antonio, Ann Arbor, Oakland, and New York City as locations where Tyranny’s compositions and collaborations developed. Filmmaker David Bernabo takes a deep dive on the recently reissued Out of the Blue and the long lost Trust In Rock concert, on the long-gestating audio storyboard The Driver’s Son, and Robert Ashley’s Perfect Lives. Interwoven with discussions on Tyranny’s music is a conversation about the nature of reissues and how distribution is survival for many aging musicians. Throughout the documentary, Bay Area filmmaker K. O. Beckman’s films with Tyranny, dating back to the 70s, provide rarely-seen performances and video projects. The film features conversations with Tyranny, composer/musicians Joan La Barbara, Peter Gordon, Kyle Gann, David Grubbs, Philip Perkins, Jeff Berman, and Bill Ruyle, writer Nicole Gagne, artist Pat Oleszko, and Unseen Worlds owner Tommy McCutchon.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.