Suzanne is a young, blind teacher. Within a small community of the visually impaired, she assiduously follows a course in art history devoted to the erotology of Satan and to witches. Transformed, Suzanne tries to steal a man's eyes in order to get her sight back. The failure of her first attempt leads her to more easily approachable and impressionable prey, her personal reader, Pierre, who is madly in love with her.
Anne-Marie Puga, Jean-Raymond Garcia
Director
India Hair
Suzanne
Rémi Taffanel
Pierre
Melchior Derouet
L’aveugle
Jean-Pierre Dionnet
Le conférencier
Eowyn Ptak
Amandine
Clément Sancier
Lucas
Joey Naccache
Lucie
Mathis Druenne
Mickaël
Sâm Mirhosseini
Le barman
Grégory Duvall
L’homme sur la terrasse
Zoé Besmond de Senneville
La jeune fille sur la terrasse
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I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Looking back at the representation of different cultures in the magical world of Harry Potter
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.