Fabian Bom is a waiter at a hotel in a small town. But he dreams of doing something else - to dance and sing on a stage. He is madly in love with Matilda Roos, singer and diva. Fabian is too insensitive to notice that Annie, who works in the kitchen, is in love with him. Encouraged by Matilda, Fabian leaves the hotel and goes to Stockholm to become famous. But, as he soon learns, it is more difficult than he first thought.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
What happens to an inseparable bond when love for competing morphs into competing for love?
Disney movies have taken a bit of a downward turn recently. How come?
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
