Just a Gigolo (1981)
After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
Rating:
Genre:Drama
Written By:Ennio De Concini, Irving Caesar, Julius Brammer
In Theaters:5/1/1981
Box Office:
Runtime:147 minutes
Studio:BR, Leguan Film Berlin, Sender Freies Berlin
Cast
David Hemmings
Director
David Bowie
Paul Ambrosius von Przygodski
Kim Novak
Helga von Kaiserling
Marlene Dietrich
Baroness von Semering
Maria Schell
Pauls Mutti Frau von Przygodski
Curd Jürgens
Prince
Erika Pluhar
Eva
David Hemmings
Captain Hermann Kraft
Sydne Rome
Cilly
Werner Pochath
Otto
Rudolf Schündler
Oberst Gustav von Przygodski
Evelyn Künneke
Frau Aeckerle
Articles You May Like
Reclaiming Wanda for the Women: The Female Gaze in 'Multiverse of Madness'
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
NYFF Review - 'The Inspection' Unearths Empathy in the Trenches of Bootcamp
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
“Moonlight” is One of the Most Beautiful Black Pride Movies Out There
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Poverty In Black And White
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
Free Guy's Marxist Parallels To John Carpenter's They Live
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.