'Xico's Journey' into the Mountains
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.


As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc. HOWEVER, once it all gets pushed TOO far over the course of TOO MANY follow-ups, sorry, but the luster, uniqueness, and quality heads decidedly southward.
I was already going into seeing this newest endeavor set in the realms of genetically grown dinosaurs with highly cautious, level expectations. What I ended up witnessing was grander proof that, as a whole, it's best to truly let certain creatures, and film series, go and/or remain extinct. While I perfectly and admittedly embrace the love of a Summer event film that just wows with its imagery, doesn't require much thinking, and provides entertainment, seeing this newest installment very much felt like beating a dead horse....or, um, REPTILE, sorry.

Five years after the events of Jurassic World Dominion, covert operations expert Zora Bennett is contracted to lead a skilled team on a top-secret mission to secure genetic material from the world's three most massive dinosaurs. When Zora's operation intersects with a civilian family whose boating expedition was capsized, they all find themselves stranded on an island where they come face-to-face with a sinister, shocking discovery that's been hidden from the world for decades.
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)