EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Frank is an ex-soldier, haunted by a violent past. He lives alone, drowning his nightmares with alcohol. Christine - smart and successful... on the surface, tackles life as a single working mother by immersing herself in drugs, parties and sex. Lynette, a young rough sleeper watches Christine stumble out of a club whilst she sits in the cold waiting for loose change to fall on her lap; her luck seems to change when she meets Frank who despite his misgivings, offers her a place to stay.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.