Five Nights at Freddy's 2—Confusing even for long-time fans
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.

At the foothills of the Himalaya, along the border separating India and Nepal, Raji nomads still hunt for wild honey. They scale the trees of the great Terai forest, risking their lives to harvest the honey of the apis laboriosa - the largest migratory bee in the world. Both slave and master of the bees, Bahadur defies the towering trees and braves death for the survival of his people. After discovering written accounts of the Raji's way of life, photographer and filmmaker Eric Valli set out to discover what had become of these nomadic people.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.