Jumping '82 

The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!

Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.

I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration. 

An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.