Early twentieth century. The future poet, the nurturer of lyrics of love, Julius Janonis, is maturing among the students of Šiauliai Gymnasium. The son of a poor peasant, sick with tuberculosis, spotted a classmate, Milda, from a wealthy family admiring his talent. Unfortunately, at a high society party held at Milda’s parents house, where Julius reads his poems, guests make fun of the poet. When World War I comes, Janonis is taken to Voronezh, to the Lithuanian diaspora.
Balys Bratkauskas, Vytautas Dabasinskas
Director
Henrikas Kurauskas
Julius Janonis
Gražina Balandytė
Juste
Balys Barauskas
Edvardas
Elena Jackute
Milda
Juozas Mazeika
Karklius
Vytautas Kancleris
Girinis
Alfonsas Ambrasas
Mykolas
Romualdas Juknevicius
Pulkininkas
Algimantas Masiulis
Vacekas
Stepas Jukna
Alsenas
Jonas Birzys
Father of Juste
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
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The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.