Mitch Downe From "Paranorman" Is Awesome Gay Representation
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

The Turkish girl Arzu, a student at a Dutch high school, is chosen to play the role of Juliet in a school-organized theatrical performance of 'Romeo and Juliet'. She becomes deeply obsessed with the role, seeing parallels with her own life. Her parents intend to arrange her marriage to a boy from Turkey whom she has never met. With the rehearsals, Arzu begins to lead a nerve-wracking double life. Her family knows nothing about her theatrical activities, and when her father finally finds out, he pulls her out of school and advances the wedding date of his daughter. However, the school officials manage to convince her parents to let Arzu play her role. The father watches the premiere with mixed feelings and sees himself reflected in the metaphorical mirror...
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.