Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

The successful artist and playboy Juan is a notorious seducer of women, through his ability to be just what a woman dreams of: Charming, charismatic, strong, sensitive, sexual. Driven by a restless urge to conquer new women, use them, and throw them away, he has hired his friend Leporello to help create a masterpiece: A filmed database of all the women whose dreams Juan has shattered. We follow Juan and Leporello through 24 compressed hours. Juan seduces the young upper-class girl Anna, but ends up accidentally killing her father, a powerful police commissioner. The two friends run away, but Juan's constant need to seduce new women keeps interrupting their flight. As the police gains in on them, Juan also steals the young bride Zerlina from her groom Masetto, and soon a feverish manhunt is on for Juan.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.