‘Brahmastra’: Bollywood's Superhero Universe
Bollywood's new superhero universe is a romantic, fantasy, and action-packed journey of a young warrior who rises to save the world with superpowers.

This documentary goes behind the scenes at Abbey Road Studios to capture the recording of the Mercury Prize–nominated HELP(2), a 2026 charity album from War Child Records, which aids children in conflict zones around the world. To make the film, Glazer enlisted some crucial help: young schoolkids from London were equipped with their own digital cameras and encouraged to shoot the studio recordings any way they wanted. Their curiosity and creativity are paralleled in footage taken by high-spirited children in war-torn parts of the globe—Gaza, Sudan, Ukraine, Yemen—whom Glazer also supplied with cameras. The resulting film, which Glazer and regular music collaborator Mica Levi have dubbed “by children, for children,” serves as a testament to youthful openness and wonder amidst the evils of the adult world.
Bollywood's new superhero universe is a romantic, fantasy, and action-packed journey of a young warrior who rises to save the world with superpowers.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
An adventure that centers on freedom and captures viewers' hearts.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.