“Supergirl” Is Like, Fine, Whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Dr. Egil Börne, an eminent physician, comes under the spell of an unscrupulous cabaret dancer and deserts his fiancée. The plot finds echoes throughout the Weimar period, including Sternberg’s The Blue Angel. Conrad Veidt appears in a supporting role as a sinister blind painter, whose entrance eerily presages Murnau’s Nosferatu. Der Gang in die Nacht, the earliest surviving film by F. W. Murnau, is also, paradoxically, the only Murnau film for which the original camera negative exists.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.