“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Sedat Pakay's documentary film is the first and only time that the work and lives of Josef and Anni Albers have been viewed in tandem. Pakay worked closely with the staff of The Josef and Anni Albers Foundation and its Executive Director, Nicholas Fox Weber, who was a close friend of both the Alberses, and conducted a number of unprecedented interviews with people significant in both of the Alberses' lives. The film includes rare footage of the art of both Josef and Anni and insightful commentary from personal friends of the artists, including architect Philip Johnson, who arranged for them to come to the U.S. as refugees from Nazi Germany in 1933.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Like most young people, Leviticus is imperfect. But I love it anyways.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?