It’s a story with many layers. It’s about the painter João Ayres (1921-2001), an artist in transit between Portugal and Africa who became forgotten in the narrative of Modern Art. It’s also a story about his family, who inherited a significant body of work. One of his grandchildren, Diogo Camilo Alves, the narrator, wants to make his grandfather’s art more accessible and has been fighting for its conservation and restoration. It’s also a story about the house that the painter built, where many of his works still reside and where his memory is very much alive.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Disney movies have taken a bit of a downward turn recently. How come?
Overall this movie was an easy watch, but by no means a worthwhile watch.
