Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

The Sprawl, a seedy underworld of exploitation, violence, and zombies. In this maze of alleyways and speakeasies life is cheap, drugs are cheaper, and surviving to a ripe old age is an urban myth. At the center of it all is Johnny Sunshine, a porn star and killer for hire. She stalks the night like a tempest of sex and violence, much to the pleasure and profit of her producer, Max, and his entertainment empire. As the body count rises, Johnny becomes a victim of her own success. In secret a plot is hatched to orchestrate her downfall, and capture it all on camera to create the greatest snuff film ever made. Written by dissolve pictures
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Celebrate Pride with these movies and TV shows available on popular streaming services. (Good news: a lot of them are available for free.)