Johnny Cash created his own sub-genre, fusing the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world weariness of country. The Johnny Cash you hear on these two remarkable live performances is not the venerable legend of today. This was the young, feral Cash, full of piss and sly orneriness. Even to those who know every note, joke and guitar lick on Johnny Cash At Folsom Prison or San Quentin, hearing Cash in his prime, aided and abetted by the Tennessee Two, guitarist Luther Perkins and bassist Marshall Grant, is a revelation. These historic documents, sourced directly from the 1958 and 1959 kinescope reels, capture Cash in his most revolutionary days, laying the bedrock of all that was to come.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The film is a powerful narrative encompassing a theme that many people can identify with.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
