What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Max, the lead character, has no life, just his best friend John. Then Max meets a girl and the film gets a twist.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
This is a film that is going to leave some people bored, and some people thrilled.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.