Seven days before Eid, Father Pul and Mother Temah plan to matchmake their daughter Ain with the son of Hajji Leman who is studying abroad. However, Ain already has her own choice of heart, which is Alif. Although Alif is Ain's boyfriend, Alif pays little attention to Ain. Meanwhile, the village is in chaos because of the White Jembalang! There's a ghost in the month of Ramadan..Wait! Is that true? What about Ain and Alif then? Will Ain accept her family's choice?
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
