Mikoto is an average school girl, but actually is the figure of Asura after getting sealed by Yama. She spends her days accomplishing missions to fight against demons. One day, she saves a boy who was getting beaten by the chefs for running away without paying for what he has eaten. Unfortunately, the boy was possessed by a ghost that Yama was looking for. Yasha, the guardian of the Sky, hears about this and concludes Mikoto wasn’t doing her job. Yasha decides to deprive the qualification as a Slayer and makes Yama summon her to hell.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
