After a charity show in London and a six-date tour in 1999 that was captured for an album (Live at the Greek), the Black Crowes and Jimmy Page returned in 2000 for a nationwide tour that featured a conglomeration of Led Zeppelin favorites and songs new and old from the Crowes. This pro shot DVD from a night at Jones Beach captures Page and the band delivering a number of high-class Led Zeppelin classics, among them 'Celebration Day', 'The Lemon Song', 'Heartbreaker', and 'Whole Lotta Love', as well as numbers that nobody would have expected. Tracks like 'Ten Years Gone', 'Your Time Is Gonna Come' or 'What Is And What Should Never Be' were convincingly delivered thanks to Page and the two Crowes guitarists Rich Robinson and Audley Freed, who not only have the necessary technique but also the right feeling for this kind of material. Chris Robinson delivers an unbelievably powerful and dramatic vocal performance.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
