Wrigleyville is transformed into Margaritaville as Jimmy Buffett, his band, and many thousands of his dancing, beer-guzzling, Hawaiian shirt-wearing, lei-draped fans invade the venerable Chicago baseball stadium for Live at Wrigley Field Double Header. Held over Labor Day weekend, 2005, the concerts themselves (a daytime show occupies one disc, with a nighttime set on the second) are standard Buffett fare--i.e., another opportunity for the above-named "Parrotheads" to pah-tay--but as the singer-songwriter frequently observes, the venue is something special. Before Buffett arrived, concerts on the sacred ground known as "the friendly confines" were as rare as Cub victories in the World Series (the team's last world championship, in 1908, preceded the opening of Wrigley Field by some six years), and Buffett, a onetime Chicago resident and longtime Cubs fan, is clearly thrilled to be there.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
