The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Beijing, the present day. Popular TV personality Da Peng is invited by gangster businessman Wang Hai to make a film in which he will invest. Wang insists that Da Peng's co-star is TV drama actress Du Xiaoxiao. However, after a nightclub scandal involving Da Peng goes viral, he's blackballed by a powerful internet executive and finds himself unable to attract any male co-star. Wang also wants his investment back. Da Peng decides to make his own movie on the cheap, using a script he has about an alien, A Li, who arrives on Earth and has various adventures as a superhero.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.