
A young couple deeply love each other but constantly argue, and when the girl’s family starts searching for a groom for her, the boy hires someone to pose as his girlfriend, but the girl becomes heartbroken and, unable to tolerate it, decides she wants to marry him immediately.
The trainwreck is hot but tame.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
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Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.