"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

After losing his job as a marketing officer, Walter, a workaholic in his forties, finds himself in an existential crisis and takes on the identity of another man.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.