The Owl House: A Children’s Show with a Bisexual, Hispanic Lead!
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.

St. Agnes Academy has a new principal, Father Benet, and a classroom of ten-year-olds that includes Sister Mary Gilbert, straight-A-student Mary Brown, and a precocious scholarship boy, Henry Harvin. Students report on their heroes: Mary's is Jesus Christ, whose middle initial she says is "H" - their former principal, an aging nun whose picture is on the wall, told her so. Henry's hero is Karl Marx. Sister Gilbert sends Harry to see the principal. He walks past moms gathered for a PTA meeting, chats with Ms. White, the school's secretary, and enters Fr. Benet's office for punishment. Father takes out a varnished paddle with holes in the blade. Who will get his comeuppance?
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.