'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

It is not in the cards that young Anne Marie Christensen from Fanø ends up as one of the most notorious Danish war criminals from World War II. Nevertheless, she is recruited by the Gestapo under the name Jenny Holm during the occupation. She turns out to have agent skills beyond the usual. It is believed that she is responsible for many hundreds of arrests of enemies of Nazism. She is so skilled that she is recruited by Danish and British intelligence in the years just after the war, where she uses her skills to catch Nazi war criminals in Germany. Jenny Holm disappears into oblivion - until a day when a resourceful writer finds out where Jenny Holm ends her days. The trail ends surprisingly, at a celebrated alternative therapist with electric hands on Gammel Kongevej
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.