Jeff Koons is undoubtedly the most famously controversial artist today. Whereas American public institutions and art collectors have long ago established him as Warhol's successor, many Europeans still consider him only as an opportunist and an attention seeker. With his combination of the great entrepreneur's positive thinking, the freedom of Pop Art and perfectionism comparable to the masters of the past, Jeff Koons has undeniably succeeded in promoting the strategies of avant garde to the public. This film shows how he has reinvented his role as an artist into a media personality and the status his works enjoy with a number of collectors who have allowed him to fulfil his dreams. Through his art, his own words and those of friends, this world of seduction and reflection also reveals glimpses of a darker and a gloomier side.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
