"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Jean-Michel, the Woodland Caribou
Jean-Michel, the Woodland Caribou and superhero, watches over Vlalbonvent and its inhabitants. One day he meets Gisele, a beautiful she-camel and hospital nurse. It is love at first sight, but how can Jean-Michel overcome his shyness and declare his love?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Jean-Michel, the Woodland Caribou and superhero, watches over Vlalbonvent and its inhabitants. One day he meets Gisele, a beautiful she-camel and hospital nurse. It is love at first sight, but how can Jean-Michel overcome his shyness and declare his love?
Rating:
Genre:Animation
Written By:Sébastien Ors, Mathieu Auvray
In Theaters:
Box Office:
Runtime:11 minutes
Studio:Panique!, Autour de Minuit, Nadasdy Film
Cast
Articles You May Like
"Outerlands" Provides Community in Unexpected Places
Intergenerational friendships and community can be so powerful, and this was a great example.
"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
"She Rides Shotgun" — A Gritty, Heartbreaking Father-Daughter Thriller
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Revisiting 'Rocketman'
Falling in love with 'Rocketman" all over again.
Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.