“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

Songs performed during the concert: 1. Je marche seul 2. Répétitions 3. Nos mains 4. Petite fille 5. Encore un matin 6. Poussière 7. Je voudrais vous revoir 8. Juste après 9. En passant 10. Veiller tard 11. Flutiau et violon approximatifs 12. Et l'on n'y peut rien 13. Tournent les violons 14. Ensemble 15. On ira 16. Les choses 17. Né en 17 à Leidenstadt 18. C'est pas vrai 19. Présentation des musiciens 20. Nuit 21. Envole-moi 22. Puisque tu pars
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.