“Street Fighter” is Diverse, But That’s It
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

Corporal Evan Albright joined the elite Marine Corps Security Guards to save the world and see some action-not necessarily in that order. But his first assignment, protecting a U. S. Embassy in a seemingly safe Middle Eastern capitol, relegates his unit to wrangling "gate groupies" protesting outside the compound and honing their marksmanship by playing video games. So Albright and his team are caught off guard when well-armed and well-trained militants launch a surprise attack aimed at killing an informant in the embassy. Heavily out-gunned, they will have to muster all the courage and fire power they can as their once routine assignment spirals into all-out war.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.