Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Jagko poster

Jagko 

In 1980s South Korea, a former cop, now in destitution, is placed in a rehabilitation center, where, by chance, he finds the Communist guerilla who had eluded his capture more than 30 years ago.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In 1980s South Korea, a former cop, now in destitution, is placed in a rehabilitation center, where, by chance, he finds the Communist guerilla who had eluded his capture more than 30 years ago.

Rating:
Genre:Drama
Directed By:Im Kwon-taek
Written By:Song Gil-han
In Theaters:
Box Office:

Runtime:103 minutes
Studio:Samyoung Film

Articles You May Like


Game of Thrones Retrospective: No One Wants to Sit on the Throne Anymore

It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.

Incluvie Writer

In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses