Looks, money, breeding. These select few have it all, including a secret desire to share their sexual curiosities with each other. Their lustful desires passionately explode, turning these "conservative" East Coast Ivy League college students into wild boystuds.
Toby Ross
Director
Rick Donovan
The Nurd (Sydney)
Ken Colbert
The Boy Most Likely To… (Baxter)
Randy Davidson
The California Kid (Rick)
Danny Connors
The Boystud (Jonathan)
Rance Edwards
The Bartender
Michael Thomas
The Peeper (Angelo)
Brandon Wilde
The Coach
Sophia Regatta
The Coach's Date (non-sexual)
Sherry Shapiro
The Boystud's Date (non-sexual)
John Clemens
Bar Scene Extra (non-sexual)
Brad Putnam
Bar Scene Extra (non-sexual)
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.