A Parisian named Cartier living in Quebec City and employee of a major English Canadian insurance company is promoted to a job in Vancouver. He brings along his annoying and hyperactive Quebecquer wife and his two young kids. Rolling on a trailer van and with no knowledge of the English language, it becomes a Trans-Canadian wacky journey for the French-speaking family, and might influence Mr.Cartier to reconsider accepting this important position...
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
