Alberto Aguilera arrives from Ciudad Juárez to the capital to pursue a career in music, but in the midst of confusion he is accused of stealing and is sent to prison.
Gonzalo Martínez Ortega
Director
Juan Gabriel
Alberto Aguilera Valadez
Guillermo Murray
Don Alfredo Mora
Narciso Busquets
Don Heberto
Leonor Llausás
Madre de Alberto
Fernando Balzaretti
Daniel
Bruno Rey
General
Mercedes Carreño
Meche
Enriqueta Jiménez Chabolla 'La Prieta Linda'
Queta Jiménez
Federico Villa
Lupillo
Dacia González
María
Arlette Pacheco
Chirri
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.