The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Max and Bastian are both between childhood and adolescence. Max was born a girl, but has come out as a transgender boy. And Bastian, born a boy, feels more like a girl. They are both faced with the choice of whether to start on hormones to end their puberty. But can you trust themselves when everything is constantly changing? Max and Bastian are surrounded by friends and family who do everything they can to understand them and help them to whatever they decide in Julie Bezerra Madsen’s equally empathetic film, which follows them through a period in life when everyone is changing – some of us just change a bit more than others.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.