
Wilbur Crane is a meek, mild-mannered bookkeeper who no longer finds his wife, Martha, attractive and sets out for a little fling among the fast crowd while looking for love in all the wrong places. Dorothy, a gold-digger first class, and her business-manager friend, Danny, oblige him. Through camera angles,"art" photos, some semi-nudity, special camera-effects (by Ray Mercer), and strange interludes in Wilbur's mind, and off-screen voices, long-time poverty-row b-western director Bernard B. Ray embarks on the exploitation trail.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.